Short story: A tying sardaar ventures home (Punjab) from UK, to guarantee tribal property; just to be invited by another group of sardaars who're age-old family dushmans. Also, the main departure is living-in with the adversary.
Move over Chicken Khurana, the genuine spread kukkad is here. Furthermore, he's here with a blast this Diwali singing, moving, flipping noticeable all
around all in the mustard fields of Phagwara (that is in Punjab, FYI), exemplary Bollywood ishtyle. Then again, actually this is a Singham getting Dabangg and Rowdier than any Rathore on Punjabi steroids and altogether sardaar symbol. Hadippa! So draw out that tall glass of chilled lassi and how about we figure the why, what, who of this desi-ghee story. Jassi
(Ajay Devgn) jaisa koi nahi. He becomes hopelessly enamored at-first-locate, in a train with Sukhmeet (Sonakshi), call her Sukh please (she's a significant 'harmony' of work); and winds up as a visitor in her crazy house loaded with hilarious sardaars The Sandhus. There's the leader of-the-house Billu paaji (Sanjay Dutt), brothers Tony (Mukul Dev) and Tito (Vindoo
Dara Singh), who've vowed to never have frozen yogurt and cold-drinks (rum-on-the-stones is all he's at any point had, poor liver, murmur!) until they retaliate for their dad's passing; and a child sardaar who discusses 'pegs' (Patiala types). Adding strong femme capacity to this macho sardaar story is Pammi (Juhi Chawla, great) Billu's mooh-boli-biwi, Bebe (Tanuja)
experiencing low maintenance memory slips; and ultimately Rajpreet the adored bison (who mooed this cheez?) The issue? The Sandhus have been vindictively yearning for Jassi's head, however can't lay a sword on him since he's their (undesirable) house-visitor (mehmaan approaches bhagwan, recollect that?), he even pretends 'paira-te-bands' (deadens) to remain 'home' to
spare his life. Ajay Devgn convincingly plays child of-the-dirt with power, energy and bright pagdis in each scene. He changes from parody, activity and sentiment carelessly, inspiring with entertaining lines, contrivances on a ghodi (Jassi once more) and huge amounts of PJJs (poor-Punju-jokes). Sonakshi tosses in another 'overwhelming weight' execution. In Ajay's
own words, "kaafi bhaari hai" (read: weight). She does her standard move routine (with ceetees et al), gushes 'chal jhoota' to all men, and plays the moophat young lady in obvious sardarni style. Sanjay Dutt, as the supporting sardaar, is a joy to watch. His gussa makes you snicker and his furious upheavals are lovable. Juhi Chawla illuminates the screen with her
comic planning as faultless as ever. The shy cum-cutesy scenes among Dutt and Chawla are among the features of this one. Different individuals from this crazy house, Vindoo Dara Singh and Mukul Dev likewise pack a knockout Punjabi-punch with their dumb'n'dumber demonstration. Ashwini Dhir engages in parts, with an a lot of Punju cleverness and ridiculous jokes
that make you laugh hysterically. While taking care of all the Jaswinders, Parminders, Happys and Sweetys, he loses the plot, extending it all around the sarson-ka-khet (and abandoning a few). This is a mass-performer, hung together with a progression of Santa-Banta jokes, spiked firmly with macho sardaarisms. Like Jassi says, "Kabhi toh hasliya karo", this one
makes you chuckle in parts!
Release Date: 13 November 2012 (India)
Director: Ashwani Dhir, Anil Devgan
Movie Quality: All Quality
Movie Size: All Sizes
Film Star: Ajay Devgn, Sanjay Dutt, Sonakshi Sinha
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